A session begins with five minutes of catching up on the week’s events. Then, in complete silence we get down to work. After four years of working together, words are superfluous. There are no set poses. Annabelle is free to stretch and turn as she pleases. My task is to get the result of one stretch and turn down on paper before the next. It is not easy. Digging ditches would be less exhausting. And the same goes for the model. At the end of the session we are rarely sure of what we’ve accomplished. It is too soon to judge. In fact, followers of these diary pages are very likely able to form an opinion before we do.
My on-line diary began in the 1990's from my studio in the North of England. After a lapse of ten years, I resumed posting from my present studio on the Caribbean island of Dominica.
From the far beginning, the intention has been to give an insight into my working methods, and to share the triumphs, trials and tribulations of work-in-progress.
My diary pages are followed by thousands of artists, art students and art lovers in over 50 countries.