My on-line diary began in the 1990's from my studio in the North of England. After a lapse of ten years, I resumed posting from my present studio on the Caribbean island of Dominica.

From the far beginning, the intention has been to give an insight into my working methods, and to share the triumphs, trials and tribulations of work-in-progress.

My diary pages are followed by thousands of artists, art students and art lovers in over 50 countries.

Monday, June 13, 2016

Depicting three dimensions in two

Three dimensional sculpture does not fare well when viewed as a two dimensional photographic image. The eye is arrested and barred from roaming over the form. However, by the very fact that the image is fixed, a photograph serves as an excellent device for revealing flaws. Incorrect proportions and imbalance become glaringly obvious. A mirror image has the same effect.

By the same argument, a photograph can never substitute for the live model. But in the early stages it can help to refresh the model’s memory. Until the sculpture is well developed it can be surprisingly difficult to remember from one week to the next if an arm or leg rested this way or that.

Today’s picture of work in progress on Marcella’s torso is a case in point. My model has slightly deviated from her original pose. The left arm is now drawn closer to the spine and the wrist falls more comfortably on her bottom. I like the effect and I am tempted to keep it.


PS
Down the side-bar you will find excerpts from my first on-line diary. It was published before the days of blogs and my brother – who regularly burned the night-night oil setting it up the hard way - says that it can lay claim to being the world’s first blog.

When I can find time I will add a section for notable quotes from artists past and present.

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