My on-line diary began in the 1990's from my studio in the North of England. After a lapse of ten years, I resumed posting from my present studio on the Caribbean island of Dominica.

From the far beginning, the intention has been to give an insight into my working methods, and to share the triumphs, trials and tribulations of work-in-progress.

My diary pages are followed by thousands of artists, art students and art lovers in over 50 countries.

Wednesday, April 19, 2017

A clay sketch

I have spent the last few days reconstituting the clay that went into Annabelle’s life-size reclining figure. It is the same clay that I have used for all my sculptures over the last twenty years. With lots of pummeling and wetting down it can be made workable time and time again.

With the last ball of clay I made this sketch of lovers embraced. Its diminutive size (no more than 8” x 5”) and time taken in the making (no more than a couple of hours) belies the strength of the statement that I have attempted to make.


The 19th century French sculptor Auguste Rodin was the master of the clay sketch and also the master of lovers embraced. Art, he said, is nothing but a sexual pleasure…a derivative of the power of loving. By way of his team of assistants he sometimes enlarged his sketches to life-size.

But a sketch is best when left well alone; it’s very lack of finish is the finish. Let’s hope that tomorrow I’m not tempted to destroy the spontaneity of today’s work by making too many “refinements”.

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