My on-line diary began in the 1990's from my studio in the North of England. After a lapse of ten years, I resumed posting from my present studio on the Caribbean island of Dominica.

From the far beginning, the intention has been to give an insight into my working methods, and to share the triumphs, trials and tribulations of work-in-progress.

My diary pages are followed by thousands of artists, art students and art lovers in over 50 countries.

Sunday, April 9, 2017

‘Tis the best I can do

The master plaster cast of Annabelle’s life-size reclining figure is finished. Although it fulfills my expectations I again face the “Enigma of Arrival” that I wrote about in my diary page dated 13th August 2016. (

Perhaps, after 74 years, I should resign myself to accepting, ‘Tis the best I can do and “go to my maker with that”.

                 I fancy my grave digger griping,
                As he gives my last lodging a pat.
                He wrote Dan McGrew,
                ‘Twas the best he could do.
                So I’ll go to my maker with that.

Robert Service. Poet 1874-1958 (Songs of a Sourdough, etc.)

But I ain't finished yet! Tomorrow I’ll take up my paints and once again struggle to capture the moods and changes of the live model.

In the meantime here is the plaster cast, finally at rest on its rectangular base.

I propose filling the vacant area to the right of the extended leg with a scattering of leaves. In the bronze cast they will be patinated in the colours of autumn. But unlike the heinous Fig Leaf they will not hide the delicate beauty of the female anatomy.

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