While searching through old press cuttings I came across an
article by the Sunday Times art critic, Waldemar Januszczak titled, “Working at
the Speed of Light”. In the article he gives credit to the artists who paint
fast; among them, Michelangelo.
I first realized a speedy
brush stroke…to be a true guide to an artist’s talent…when I had a chance to
examine Michelangelo’s handiwork on the Sistine ceiling from close up during
the chapel’s restoration…It was the speed of his brush strokes that amazed me…In
the scene of God creating the earth, the world and its vegetation was the work
of seconds. Adam’s famous penis was traced with a single cocky outline. All
over the ceiling there were astonishing displays of painting at breakneck
speed. Never have I seen clearer evidence of artistic genius.
The entanglement of lips, arms, breasts and hands in today’s
painting was thrown down just before Annabelle had to rush to catch a bus home.
After an hour of holding the reclining pose for her sculpture, the sweet release
of rolling over signaled the end of the session. But, as often happens, it’s
the rolling over that reveals a transitionary position that cannot be contrived.
When I catch that illusive moment out of the corner of my eye, I beg my model
to hold it right there and give me time to work at the speed of light.
Now you can run for your bus!
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