My on-line diary began in the 1990's from my studio in the North of England. After a lapse of ten years, I resumed posting from my present studio on the Caribbean island of Dominica.

From the far beginning, the intention has been to give an insight into my working methods, and to share the triumphs, trials and tribulations of work-in-progress.

My diary pages are followed by thousands of artists, art students and art lovers in over 50 countries.

Friday, March 25, 2011

Two cows and a mysterious woman...

Today, while rummaging through a portfolio of work done almost twenty years I ago, I came across this painting of a Yorkshire village.  I distinctly remember debating whether to add the two cows that wandered into view.   As you see, I decided in favour of the cows and the fact that the painting is signed indicates that, at the time, I must have been pleased with the result.


Just as I was about to delve further into the portfolio, a breeze picked up the painting and it fell to the floor.  Like a slice of buttered toast, it fell image side down and, low and behold, on the reverse side was a painting, the subject of which eludes me.


Who is that woman?  Denise says emphatically, “It's not me!  It doesn’t look like me and I never owned a blue dress that buttoned down the front.  What’s more, at the time it was painted I was eight months pregnant.  She doesn't look pregnant”.  I have a vague recollection of wanting to capture sunlight on facial features.  But whose features?  O dear, this is getting awkward!

Luckily, we both agree that - in retrospect - the painting on the back is possibly more worthy of a signature than the painting on the front.  We've decided to let it rest at that!

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